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Artibus et Historiae no. 53 (XXVII)

2006
232 × 252 mm
ISSN 0391-9064


COLIN EISLER - Mantegna's Meditation on the Sacrifice of Christ: His Synoptic Savior (pp. 9—22)
MARY D. GARRARD - Who Was Ginevra de' Benci? Leonardo's Portrait and Its Sitter Recontextualized (pp. 23—56)
JERZY MIZIOŁEK - The "Odyssey" Cassone Panels from the Lanckoroński Collection: On the Origins of Depicting Homer's Epic in the Art of Italian Renaissance
REGINA STEFANIAK - Isis Rising: The Ancient Theology of Donatello's Virgin in the Santo (pp. 89—110)
SUSAN STEER - Tota pulchra, et formosa es Maria et macula originalis non est in te: The Congregation of Clergy at Santa Maria Formosa, Venice and their Altar of the Immaculate Conception (pp. 111—123)
PAOLO SANVITO - "La Maniera secca": a propsito dello stile primo periodo di Andrea Mantegna (pp. 125—149)
JOCHAI ROSEN - The Dutch Guardroom Scene of the Golden Age: A Definition (pp. 151—174)
JOHANNES GRAVE - Ideal and History. Johann Wolfgang Goethe's Collection of Prints and Drawings (pp. 175—186)
UDO KULTERMANN - The Dance of the Seven Veils. Salome and Erotic Culture around 1900 (pp. 187—215)
STEFANIA KRZYSZTOFOWICZ-KOZAKOWSKA - “Sztuka” — “Wiener Secession” — “Mánes”. The Central European Art Triangle (pp. 217—259)